Story line for Film

Scene 1:

1st shot: black out with credits. The only thing to be heard is her breathing distressed.

2nd shot: shot of just her eyes, a big close up, her eyes shifting in fear (black and white)

3rd shot: shot of just her face, a close up, her face and hair covered in blood, lying on the floor, eyes scared. 

4th shot: Switches to lady on the phone in her car, saying 'I'll see you in a bit, bye bye!' jolly and happy. Then she pulls the hand brake, in a good mood.

5th shot: long shot of the car, her turning the lights off

6th shot: getting out of the car, just showing her leg at first with high heels (good looking lady.) Gets fully out of the car.

7th shot: closing the door is a long shot.

8th shot: starts walking from his point of view. Shaky camera to show its him watching her.

9th shot: Shot of the man silhouetted, head down, so can't see his face in in the shadows.

10th shot: Woman getting scared looks behind her where kidnapper is meant to be

11th shot: What she sees of where he was but no ones there

12th shot: front tracking shot of her continuing to walk, thinking everything is fine.

13th shot: him watching her, side view, tracking pan shot to behind her

14th shot: front medium shot of both, him coming up behind her, she drops her keys and looks down to pick them up.

15th shot: she bends down to get her keys, he comes up behind to grab her, very close, his hand is about to go over her mouth. Tracking shot moving around a car blocks out actual kidnapping moves around to eventually see there is nothing there where they both were.

16th shot: back to shot 3 (black and white) in a garage

17th shot: man turned back to the camera, from elbow to arm with half of his body seen. Large spanner in his hand, lady lying on the floor further away from the camera not in focus. 

18th shot: same shot but the lady turns into focus, still breathing heavily

19th shot: floor shot of man's boots slowly walking towards her

20th shot: shot of him next to her his body next to his head looking down at her.

21st shot: shot of his hand releasing the spanner

22nd shot: floor shot of the spanner dropping to the floor, slow motion, with her face in the background but not in focus. 

23rd shot: same shot but turns the focus onto her face, she turns to look up at him in fear.