This is a photo of the 17th shot

This is just as the kidnapper is about to grab the lady and kidnap her. In the sketch for the storyboard the hand would be the most focused on. But in this photo, the sketch will be a lot like this photo. 

This is a photo of the 14th shot

This is the first shot of where the audience has a proper view of the kidnapper. In our sketch we will make the man shaded and gloomy to show that he is the 'baddy.' This is photo is just basically an outline for our actual sketch in our storyboard. 

This is a photo of the 16th shot

This shows that gradually the kidnapper is getting closer to the lady, still with her being unaware of it. In our sketch, we will still make the kidnapper more shaded to show he is hidden, and also mysterious to the audience.

This is a photo of the 9th shot.

In this photo the lady is still unaware that the kidnapper is watching her. At this point she is still just casually walking down the car park. In our actual storyboard drawing we will make the figure of the man more shaded to show he is hidden. We didn't do this in the photo so it would make is easier to draw the actual figure of the man while its not shaded. 

This is a photo of the 21st shot

In our actual film, the character will be wearing cowboy like boots and is walking towards the victim. The shot will be in black and white but we thought there was no need in actually making the image black and white because the image is basically already that, and it would make the drawing easier to draw as the image is easier to see. This photo is only quite basic for the actual storyboard shot.

This is a photo of the 18th shot.

This is shot of the tracking shot when the kidnapper kidnaps the lady. We are tracking the shot around the car which is on the left and as it goes round to the other side the audience is able to see that nothing can be seen. In our sketch we are going to make the colours duller to show that it is in night time.

This is a photo of the 13th shot. 

This shot is from the kidnapper's point of view watching the lady. In our actual film we will make this more obvious by having the camera moving unsteadily to show that is the man who is looking at her. In this shot we also made it obvious that it was the man watching as there is a part of the wall he is hiding behind in the shot. We will make the sketch a bit more dull to show it is night time.

This is a photo of the 10th and 12th shot.

For this shot we will be using a tracking shot of the lady walking towards the camera, as in walking forward. It is also the 12th shot as the shot after this is a shot of where the kidnapper is, at what she's looking at. After that shot it switches straight back to this again to show that she now thinks everything is ok. In our sketch we will make the colours a shade darker.

This is a photo of the 11th shot.

This is a shot of where the kidnapper is meant to be when the lady looks back to where he is. In the 9th shot you can see both the lady and the kidnapper in this place, so the audience knows where the kidnapper is. But in this shot he suddenly disappears from the lady and the audience's view. So this shot causes thrill to the audience. In our sketch of this shot for the storyboard we will again make the shades darker to show that its night time.

This is a photo of the 8th shot.

This is her walking out of the car, still unaware of what is going to happen to her. At this point we will make the non diagetic sound gradually getting louder or more screechy so the audience becomes aware of what might happen to her. In our sketch the colours will again be more faded as the scene is at night time. 

This is the 7th shot for our storyboard.

This shot is of her getting out of the car. In our actual sketch of the story board it will be set at night so we will make the colours a shade darker than what they actually are. In this shot she is still unaware of what is going to happen to her. So the actress must be happy, cheery and normal. In our actual film we will be using a BMW instead of a ford fiesta to show that this lady is happy and with lots of money, to introduce to the audience more about her character. Also, having this type of car will give the audience a small clue why she is being attacked.

This is a photo of the 5th shot. 

Our storyboard sketch is very similar to this photo apart from our scene is set at night. To adjust this in our storyboard we are simply just going to make the colours more dull. We didn't take photos at night because we thought that the pictures wouldn't be as clear and would be more difficult to sketch. 

This is the 2nd shot of our film. After a close up of her eyes it flicks to a shot of her whole face. This again is only an outline for the sketch as the photo doesn't have any cuts and bruises which are needed for the actual shot. We added this in with the sketch. Again, we made this shot in black and white as the actual scene is in black and white in our film.

We took pictures to help in sketching our storyboard.

This is the 1st shot to appear in our film after a black screen. This is mainly the outline as in our actual film the lady would be beaten up and bleeding. In the sketch of the storyboard we added a cut on her eyebrow and a few bruises. We made the photo black and white because in our actual film this scene is in black and white too.